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Search the various dance listings which have been added to the Dance Directory by schools, suppliers, businesses and organisations throughout the United Kingdom are detailed below. Our site is ABOUT Dance so if you know of any Dance Schools, Suppliers, Businesses, Associations and Organisations who are currently not included you may wish to pass our details on for their consideration.

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by Mark Monahan on November 24, 2017
Old-fashioned entertainment of the most seductive kind - Sylvia, Royal Ballet, review
Old-fashioned entertainment of the most seductive kind - Sylvia, Royal Ballet, review
by Mark Monahan on November 24, 2017
Old-fashioned entertainment of the most seductive kind - Sylvia, Royal Ballet, review
Sylvia is a ballet that might never have made it into the modern age. Lured by Léo Delibes’s exuberant score from 1876, Frederick Ashton created his own version of this mythologically themed romance in 1952... Read full article
by Zoë Anderson on November 23, 2017
Rambert, Sadler's Wells, London, review: 'honesty, anger and helplessness spill across the stage'
Rambert, Sadler's Wells, London, review: 'honesty, anger and helplessness spill across the stage'
by Zoë Anderson on November 23, 2017
Rambert, Sadler's Wells, London, review: 'honesty, anger and helplessness spill across the stage'
What can you do when the world is as it is? Ben Duke’s extraordinary Goat is about not having the answers. Hilarious and sad, it lets honesty, anger and helplessness spill across the stage. ... Read full article
by Zoë Anderson on November 7, 2017
Birmingham Royal Ballet, Sadler’s Wells, review: A splendid star performance from Brandon Lawrence
Birmingham Royal Ballet, Sadler’s Wells, review: A splendid star performance from Brandon Lawrence
by Zoë Anderson on November 7, 2017
Birmingham Royal Ballet, Sadler’s Wells, review: A splendid star performance from Brandon Lawrence
Ruth Brill’s new Arcadia has a lush atmosphere and a splendid star performance from Brandon Lawrence. Playing the god Pan, Lawrence is by turns animalistic, lyrical and lively, with a gorgeous flow of movement throughout.... Read full article
by Luke Jennings on October 29, 2017
The Judas Tree review – genius marred by misogyny
The Judas Tree review – genius marred by misogyny
by Luke Jennings on October 29, 2017
The Judas Tree review – genius marred by misogyny
Kenneth MacMillan choreographed The Judas Tree for the Royal Ballet in 1992, and it has baffled and dismayed audiences ever since. As MacMillan told Jann Parry, at the time the Observer’s dance critic: “There are things in me that are untapped... Read full article
by Judith Mackrell on October 20, 2017
Lyon Opera Ballet: Trois Grandes Fugues review – breathtaking battles with Beethoven
Lyon Opera Ballet: Trois Grandes Fugues review – breathtaking battles with Beethoven
by Judith Mackrell on October 20, 2017
Lyon Opera Ballet: Trois Grandes Fugues review – breathtaking battles with Beethoven
A confusion of Babel, the indecipherable uncorrected horror.” When critics first heard Beethoven’s 1825 Grosse Fuge, many were bewildered by the barbed-wire intensity of its contrapuntal writing, its uncategorisable form.... Read full article
by Jeffrey Taylor on October 15, 2017
Northern Ballet REVIEW: A national celebration
Northern Ballet REVIEW: A national celebration
by Jeffrey Taylor on October 15, 2017
Northern Ballet REVIEW: A national celebration
Northern Ballet launched a Triple Bill to mark the 25th anniversary of the death of this giant of British dance. It is the only programme of his work any company in the country will tour for most of the 2017-2018 season.... Read full article
by Mark Monahan on October 12, 2017
A deft balance between old and new - Fourteen Days, BalletBoyz, Sadler's Wells, review
A deft balance between old and new - Fourteen Days, BalletBoyz, Sadler's Wells, review
by Mark Monahan on October 12, 2017
A deft balance between old and new - Fourteen Days, BalletBoyz, Sadler's Wells, review
Well, it’s certainly an intriguing idea. For their new show, the BalletBoyz – the young, 11-strong, all-male troupe under the aegis of original BalletBoyz Michael Nunn and William Trevitt – commissioned four choreographers and composers... Read full article
by Mark Monahan on October 5, 2017
A handsome but exasperating genetic experiment - Autobiography, Company Wayne McGregor
A handsome but exasperating genetic experiment - Autobiography, Company Wayne McGregor
by Mark Monahan on October 5, 2017
A handsome but exasperating genetic experiment - Autobiography, Company Wayne McGregor
Always the most forward-looking and scientifically minded of choreographers, Wayne McGregor has now turned for inspiration not only to his own history but also to his genetic make-up. According to the typically (let’s kindly say) “involved” programme... Read full article
by Mark Monahan on September 28, 2017
The Royal Ballet's new season gets off to a phantasmagorical start
The Royal Ballet's new season gets off to a phantasmagorical start
by Mark Monahan on September 28, 2017
The Royal Ballet's new season gets off to a phantasmagorical start
The Royal Ballet could hardly have chosen a more eye-popping or enjoyable production with which to launch its autumn season. ... Read full article
by Judith Mackrell on September 25, 2017
'You leave part of yourself on stage': Royal Ballet dancers on Kenneth MacMillan
'You leave part of yourself on stage': Royal Ballet dancers on Kenneth MacMillan
by Judith Mackrell on September 25, 2017
'You leave part of yourself on stage': Royal Ballet dancers on Kenneth MacMillan
Kenneth MacMillan holds a peculiarly revered position within the culture of the Royal Ballet. Many junior dancers say that it’s the principal roles within his story ballets – Romeo and Juliet, Mayerling and Manon – to which they most aspire.... Read full article
by Zoë Anderson on August 13, 2017
Wayne McGregor’s +/- Human, Roundhouse, dance review: 'Eye-catching'
Wayne McGregor’s +/- Human, Roundhouse, dance review: 'Eye-catching'
by Zoë Anderson on August 13, 2017
Wayne McGregor’s +/- Human, Roundhouse, dance review: 'Eye-catching'
High in the air, bright white spheres float over the heads of dancers, hovering and circling in the lofty ceiling space of the Roundhouse. Named Zoological, the orbs are an entrancing art installation by Random International. ... Read full article
by Lyndsey Windship on August 3, 2017
Romeo and Juliet ballet review: Rudolf Nureyev's choreography stands test of time at Royal Festival
Romeo and Juliet ballet review: Rudolf Nureyev's choreography stands test of time at Royal Festival
by Lyndsey Windship on August 3, 2017
Romeo and Juliet ballet review: Rudolf Nureyev's choreography stands test of time at Royal Festival
It's 40 years since Rudolf Nureyev made this Romeo & Juliet for English National Ballet (then known as London Festival Ballet), a piece full of fast-paced choreography, fateful doom and Venetian bawdiness, and it stands the test of time.... Read full article
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