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Search the various dance listings which have been added to the Dance Directory by schools, suppliers, businesses and organisations throughout the United Kingdom are detailed below. Our site is ABOUT Dance so if you know of any Dance Schools, Suppliers, Businesses, Associations and Organisations who are currently not included you may wish to pass our details on for their consideration.

Articles in Ballet and Reviews

Showing 12 of 216 results
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by Judith Mackrell on March 11, 2018
Candoco Dance Company review – compelling document of human possibilities
Candoco Dance Company review – compelling document of human possibilities
by Judith Mackrell on March 11, 2018
Candoco Dance Company review – compelling document of human possibilities
It’s always great to witness the buzz that choreographers get from working with Candoco. Throughout the company’s 27-year history there’s rarely been a work in which its mix of disabled and non-disabled dancers has felt like a limitation.... Read full article
by Jim Seton on February 22, 2018
Northern Ballet adaptation of Jane Eyre is coming to Leeds
Northern Ballet adaptation of Jane Eyre is coming to Leeds
by Jim Seton on February 22, 2018
Northern Ballet adaptation of Jane Eyre is coming to Leeds
Jane Eyre will dance into audiences’ hearts in Northern Ballet’s stage adaptation of Charlotte Brontë’s classic novel. Following one of literature’s most iconic heroines as she fights to find her independence and happiness, Jane Eyre is choreographed... Read full article
by Zoë Anderson on February 16, 2018
The Winter’s Tale, Royal Opera House, London, review: It’s a marvellous ballet
The Winter’s Tale, Royal Opera House, London, review: It’s a marvellous ballet
by Zoë Anderson on February 16, 2018
The Winter’s Tale, Royal Opera House, London, review: It’s a marvellous ballet
Winter, but also spring: The Royal Ballet’s The Winter’s Talemoves from icy, tormenting jealousy to radiant recognition, lighting up the stage like a shaft of sunlight.Christopher Wheeldon’s 2014 ballet is one of his finest, with complex storytelling... Read full article
by Judith Mackrell on February 9, 2018
Viktor review – Pina Bausch's pleasure-seekers haunt Rome
Viktor review – Pina Bausch's pleasure-seekers haunt Rome
by Judith Mackrell on February 9, 2018
Viktor review – Pina Bausch's pleasure-seekers haunt Rome
When Pina Bausch’s work was first shown in London in 1982 it changed the way we thought about dance. Bausch made the stage look like a whole new playground of possibilities, creating some indefinable genre of dance theatre...... Read full article
by Judith Mackrell on January 10, 2018
Song of the Earth/La Sylphide review – Rojo powers a demanding double bill
Song of the Earth/La Sylphide review – Rojo powers a demanding double bill
by Judith Mackrell on January 10, 2018
Song of the Earth/La Sylphide review – Rojo powers a demanding double bill
With its guileless storytelling and Romantic mingling of the folksy and sublime, August Bournonville’s La Sylphide is a tricky ballet for modern companies to inhabit. Tamara Rojo’s decision to challenge English National Ballet’s dancers... Read full article
by David Jays on December 8, 2017
Project Polunin: Satori review – ballet's bad boy makes howling bid for inner peace
Project Polunin: Satori review – ballet's bad boy makes howling bid for inner peace
by David Jays on December 8, 2017
Project Polunin: Satori review – ballet's bad boy makes howling bid for inner peace
Sergei Polunin is a dancing star still searching for work that is the right fit for his undeniable charisma. The Ukrainian-born artist brings his messy past with him: companies abandoned, performances cancelled, vivid tattoos and tales of excess... Read full article
by Zoë Anderson on December 7, 2017
The Nutcracker, Royal Opera House, London, review: Francesca Hayward is lovely as Clara
The Nutcracker, Royal Opera House, London, review: Francesca Hayward is lovely as Clara
by Zoë Anderson on December 7, 2017
The Nutcracker, Royal Opera House, London, review: Francesca Hayward is lovely as Clara
One of the company’s rising stars, Hayward, has a radiant flow of movement and gleaming footwork as Clara in the company's 455th performance of Peter Wright’s production.... Read full article
by Mark Monahan on November 24, 2017
Old-fashioned entertainment of the most seductive kind - Sylvia, Royal Ballet, review
Old-fashioned entertainment of the most seductive kind - Sylvia, Royal Ballet, review
by Mark Monahan on November 24, 2017
Old-fashioned entertainment of the most seductive kind - Sylvia, Royal Ballet, review
Sylvia is a ballet that might never have made it into the modern age. Lured by Léo Delibes’s exuberant score from 1876, Frederick Ashton created his own version of this mythologically themed romance in 1952... Read full article
by Zoë Anderson on November 23, 2017
Rambert, Sadler's Wells, London, review: 'honesty, anger and helplessness spill across the stage'
Rambert, Sadler's Wells, London, review: 'honesty, anger and helplessness spill across the stage'
by Zoë Anderson on November 23, 2017
Rambert, Sadler's Wells, London, review: 'honesty, anger and helplessness spill across the stage'
What can you do when the world is as it is? Ben Duke’s extraordinary Goat is about not having the answers. Hilarious and sad, it lets honesty, anger and helplessness spill across the stage. ... Read full article
by Zoë Anderson on November 7, 2017
Birmingham Royal Ballet, Sadler’s Wells, review: A splendid star performance from Brandon Lawrence
Birmingham Royal Ballet, Sadler’s Wells, review: A splendid star performance from Brandon Lawrence
by Zoë Anderson on November 7, 2017
Birmingham Royal Ballet, Sadler’s Wells, review: A splendid star performance from Brandon Lawrence
Ruth Brill’s new Arcadia has a lush atmosphere and a splendid star performance from Brandon Lawrence. Playing the god Pan, Lawrence is by turns animalistic, lyrical and lively, with a gorgeous flow of movement throughout.... Read full article
by Luke Jennings on October 29, 2017
The Judas Tree review – genius marred by misogyny
The Judas Tree review – genius marred by misogyny
by Luke Jennings on October 29, 2017
The Judas Tree review – genius marred by misogyny
Kenneth MacMillan choreographed The Judas Tree for the Royal Ballet in 1992, and it has baffled and dismayed audiences ever since. As MacMillan told Jann Parry, at the time the Observer’s dance critic: “There are things in me that are untapped... Read full article
by Judith Mackrell on October 20, 2017
Lyon Opera Ballet: Trois Grandes Fugues review – breathtaking battles with Beethoven
Lyon Opera Ballet: Trois Grandes Fugues review – breathtaking battles with Beethoven
by Judith Mackrell on October 20, 2017
Lyon Opera Ballet: Trois Grandes Fugues review – breathtaking battles with Beethoven
A confusion of Babel, the indecipherable uncorrected horror.” When critics first heard Beethoven’s 1825 Grosse Fuge, many were bewildered by the barbed-wire intensity of its contrapuntal writing, its uncategorisable form.... Read full article
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